October 2008 Archives

Gay zombie art porn!

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otto.jpgNever let an All Hallow's Eve pass without asking the eternal question: dude, what the fuck is wrong with German people?

But seriously*, folks: the opportunity to title a post suchlike cannot be missed, so I didn't. Bruce LaBruce's Otto; or Up With Dead People premiered at Sundance and played at the Berlin International Film Festival. Fleshbot says:

In one scene, one of the gay zombies eats a hole in another zombie and then fucks it. Yes! What do you even call that? Gut fucking? A "zombie"? The LaBruce tango? And we got hard watching. What does that say about us? And this debuted at Sundance and is screening in an art museum! LaBruce really has everyone fooled. Our friend LaBruce told us that he filmed even more hardcore footage that didn't make the movie but will be on the DVD. That's either going to give us boners or nightmares.
Dismemberment! Gay sex! Road kill! How can you go wrong?!**


*And I mean that.
**Mean that, too.

Sneezgasm!

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Man, I loves me a good sneeze. When I sneeze, I'm all in. If I'm standing up there's usually a straight-leg kick involved. If I'm sitting down, arms will flail. And they're loud. I make them that way, deliberately on purpose-like. There is no point in sneezing if it is not a full body experience that involves all extremities and the entirety of your torso, all expelled through your face in a 700 mile-an-hour plume with the concussive force of a bird strike against a Boeing.

I acquired my devastating sneeze style back East, where I was annually subjected to two lengthy allergy seasons that eventually merged into one never-ending soul-destroying miasma of mucoid misery. (Alliteration! Woo!) I grew bored with shouting "Ah-CHOO!" Who thought up "ah-choo" anyway? There's no reason it has to be that. I started with "Ah-HAAAH!" which made me sound like a brilliant inventor or an overenthusiastic detective, depending on the day. "Bla-hurrrgh!" was good, too, kind of a zombie sneeze, and "Wa-harrrrgh!" as well, which sounded like I was about to plunge off a cliff. I also frequently sneezed in Russian, very roughly rendered here as "По-русски!!!" Those were particularly satisfying, all guttural and fatalistic, especially if I got several in a row. I would declaim in percussive sternutatory style, sounding quite vexed by the sad plight of the proletariat and convinced of the need for revolution against the Czar.

Some people don't know how to sneeze. I know a woman who sneezes with a loud, sharp, half an "Ah!" followed by a soft "Choo!" that sounds almost exactly like a tiny Pikachu noise. Then she says "Excuse me." No one blesses her, because it's clear that she's embarrassed and guilty and deserves what's coming to her. Other people can't bring themselves to sneeze at all. They go "Knxthch!" and their eyes get momentarily huge. I don't understand such people. I think that they're going to get cancer.

My allergies have since retreated, left behind on the east coast along with their associated menageries of pollens and molds. I still have occasion to sneeze, and when I do I revel in the convulsive ballet of maxillary, trigeminal, and vagus nerves, the cascade of histamines, the spasm of the pharyngeal and tracheal muscles.

Sneezing: better than sex?

Well...no.

But, in general, much more acceptable at the office
So admonished Ipu-wer some 4,200 years ago. Nobody knows much of anything about him, except that at some point he spouted off a bunch of such things, prophecies in the Biblical sense, which means they're not so much about the future as about one fellow standing before Pharaoh and saying nasty things about the past and present governance of Egypt. All cloaked in metaphors about sinking crocodiles, Rivers of blood, grieving nobles, and fumigation via incense. The last two columns of the papyrus--described by the translator as being in a state of "lamentable destruction"--tantalize us with the words, "Once upon a time there was a man who was old and in the presence of his salvation, while his son was still a child, without understanding..."

Actually, that's not very tantalizing at all, but that's all we get. Nothing else is heard from Ipu-wer. I wonder if, in his own time, he was held in the same regard as the tentative prophet in Life of Brian, who prophesied that "At this time, a friend shall lose his friend's hammer, and the young shall not know where lieth the things possessed by their fathers that their fathers put there only just the night before, about eight o'clock."

"Ipu-wer?" they'd say. "Was that the guy who went on about men sitting in bushes and robbing people, and about how the go-spells and enfold-spells don't work anymore because nowadays any old tosser can say them aloud? Pfah!" Who knows? Maybe all the good material was in missing bits of the papyrus. Maybe all that stuff about not having enough cedar for the mummies was just Ipu-wer warming up, a prophetic throat-clearing before he laid into Pharaoh with raging holy fervor and let everyone know that the gods were really displeased with his corpse-buggery or whatever it was that Middle Kingdom Egyptians found scandalous.

But now all we've got left of him are a few columns of unremarkable cryptic metaphor and stories that defy consecutive translation, barely enough to warrant a Wikipedia entry, and really only noticed at all because some of his scribblings might possibly refer to a small group of wandering Semites whose own collected prophecies and tales later became part of the best-selling book of all time.

I suppose the lesson here, if any, is that if you can't write your own deathless prose, write about somebody else who's bound to be fabulous and important so that you might at least survive as a minor point of interest appended to their fantastically dramatic and splendid life.

Here's to the Ipu-wers of present-day Earth! May you lot of hangers-on choose your subjects with care and diligence, and may the inevitable loss of most of your work be described in a footnote as "lamentable." 
What, you don't? And you call yourself a flagellant? Please.


Trike trickery

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big_main.jpg
I'm mechanically inclined. Which means that I am not afraid of breaking things.

My primary mode of transport is a big honking Space Blue Greenspeed GTO. [See it here in its Imposing Tour Configuration] In keeping with its big honking status, it uses Magura BIG disc brakes. They're hydraulic, and served me well while I careened down mountains towing a trailer with 75 pounds of gear in it.

Several weeks ago, the right brake lever started going a bit mushy, and I noticed a bit of fluid on the cable housing near the caliper...eventually, I had to squeeze the lever almost all the way in just to get the pads to engage. I needed to bleed the brake, because it was obvious that the fluid had left the system. So I got the bleed kit, and then spent a couple of weeks reading the instructions, looking at the brakes, and deciding that I would do it later. I've worked on regular brakes so often that I was able to talk my ex through adjusting her brakes on the West Side Highway bike path in New York City via cellphone while I was on top of a mountain in Kentucky. But hydraulics were uncharted territory, full of mysterious oils and unknown expense.

Last night I finally decided to do the deed, and hooked up the various fittings and tubes and syringes. The basic procedure involves pumping fluid into the system from the bottom, sucking off the excess when it comes out the top, then cycling the brake lever to squeeze all the air bubbles out. At one point, I got a little too enthusiastic with the brake lever, which caused one of the pistons to pop out of the caliper. All the brake fluid dumped out of the reservoir and onto the floor. This meant that I had to disassemble the caliper (shown above) to get the piston back in, a choice I made after I decided that yes, if I broke something, I was willing to buy a new caliper.

So, I unscrewed the bolts holding it together, and it split into two well-machined halves. Once it was open, I could snap the piston back into place with ease. I saw how simple the system was: two matching blocks of machined aluminum, a small hole in both blocks sealed with an o-ring that routed brake fluid through the two halves, which then pushed each piston into the brake pads and pressed them against the rotor. What had been mysterious was revealed.

After another couple of rounds of pumping and sucking brake fluid (it's the new drug scourge killing the nation's youth, doncha know), I got the system full, air-free, and sealed up. The new brake pads are installed on both brakes, and I have wonderful new stopping power. I got more than 3,000 miles out of the old pads, which is excellent, so I probably won't have to replace them for another year or so. I'm also pleased that I didn't have to pay anyone to take care of the problem.

It seems to me that there are a lot of things in life that are like hydraulic disc brakes (Yowza! Outta my way, Garrison Keillor!). Some things need repair or enhancement, but the actual doing of it involves delving into the unknown, and taking risks. It helps to identify what those risks are, so you can put them into perspective, and make a decision to move forward despite them. Then, as you tackle the issue, its mystery lessens: you take it apart, peer into it, see how it works. Understanding brings simplicity and, if you're paying attention, resolution. If the problem arises again, you've got the map of experience to guide you, and it's easier to deal with.

I am of the opinion that many of life's challenges can be explained via pedal-powered metaphor. But you have to ride to get the finer lessons. I'm sure the same thing applies to people who race cars, ride horse, or hang from gliders. It's fractal, I think: a small piece of your life bears a significant relationship to the larger whole, which is composed of multiple, self-similar iterations of that piece. Zoom in to your breakfast, then zoom out to your spiritual quest for meaning in a chaotic and impermanent world, and find the pattern in the irregularity of it all.

Or...maybe it's just oatmeal and coffee.

Today, I don't think so.

Well, you know how it is...

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Or do you? I'm always alarmed by that phrase. It's usually tossed out to indicate assumed common knowledge, such as that shared between Married Men, or between the Roguish Streetwise Snitch and the Determined Law Enforcement Officer. No one's ever said that to me and meant it, though. I'm assuming this is because I don't seem like the sort of person who would have any knowledge in common with anyone else. If anyone ever said that to me, my most likely response would be, "No, actually, I don't. What do you mean?" I think that in the real world, You know how it is is actually verbal shorthand that means Let's build the hollow shell of an empathetic moment without actually communicating in any meaningful way. It's content-free dialogue! Sleight of mouth. A dodge.

I was intending to write a bit more about how good dialogue is never content-free even if it consists of nothing but a series of You know how it is-like phrases because that in itself, when deployed with skill, serves as an illustration of character, but it's late and I'm tired and the bed is making seductive noises even though there's no one in it. So I'm not going to do that just now.
The Test got rejected, but with a hopeful caveat: the editor is open to revisions, and we've had a bit of back and forth about that, so I may yet be able to get this thing into some sort of semi-worthy shape. It's one of those stories that I've hacked at so many times I've lost all perspective on it. I sent it off anyway, which was a mistake...I knew it wasn't right, but I think I submitted it just to get the damn thing out of my sight for awhile. That's not a good way to do things. If I needed symbolism I could've printed it out and stuck it in a drawer.

But: Dash is a decent fellow with good ideas who rightly pointed out that he's got the perspective on the story that I lack, so I'm happy to work with him a bit on wrestling this thing into proper submission.

In other news, I seem to have achieved an optimum balance of supplements and exercise that has turned me into back into the fabulous and giddy person I was at some prior point in my life. The nifty thing about the supplements is that none of them are the kind of herbal remedies which contain analogues of ephedrine or some other stimulant; it's mostly a combination of vitamins, essential fatty acids, and amino acids, plus Ashwaghanda and the low-key yet wonderful reishi mushroom tea. I'm commuting on my trike, providing about 12.5 miles a day of pedaling. Now I spend most of the day feeling really, really good...just shy of high, in fact.

Which is excellent, because the protagonist of my novel is high most of the time, and when I last left him he was about to enter a nightclub that used to be St. Patrick's cathedral before it was deconsecrated. Can't really write that scene if I don't feel like dancing.
And after that, well...Thesselewe was never quite the same. We all understood, and were sympathetic, insofar as one can sympathize with a man whose primary occupation prior to being clocked in the head by the landing carriage of a low-flying aircraft was breaking the femurs of political dissidents and underperforming CEOs. Thesselewe may have been a vicious thug, but he was our vicious thug, and he had a marvelous singing voice.

Dream a little dream

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dreamydream.jpgI'm sitting here on my ratty futon watching the steam from my coffee cup curl upwards into interesting plumes, backlit by the morning light from my window. I'm thinking about a dream I had last night which was, to the best of my knowledge and recollection, the first dream about writing and the business thereof that I've ever had.

In this phantasm, my editor--I don't actually have an editor, but I have a fan who is an editor, so Central Dream Casting put her in that role--brought me and my manuscript to the offices of some other, nameless Uber Editor. It was the kind of facilitated introduction that represents a potential leap from one level of practice to another, like an Aughar becoming a Nath Baba and getting his conchae pierced. I never saw the man clearly...he sat behind a large desk, backed by an expansive half-moon window full of daylight, and separated from us by a curtain made from multiple strips of translucent wobbly plastic, the kind they use when they bring you to a converted aircraft hangar to show you the wreckage of a spacecraft and the alien bodies. I know that he was older, tall, thinly built with gray-white hair, and that he wore either a pale yellow dress shirt or a vest of the same color.

I gave my chapters to my editor, who handed them through the curtain. Almost immediately, the man behind the curtain reached into a file cabinet, then pushed a paper back through the flexible slats and let it fall to the floor. I retrieved it. On this paper, covering both sides, was the Uber Editor's list of Things That Make for Bad Writing. Specifics, with examples. It was revelation! I went down the list, wincing every time I came across an item that I knew was in my manuscript...some of them on the first page. Even if Uber Editor rejected the book, as I was sure he would, at the very least I would have this singular list.

I'm annoyed that I can't remember a damn thing that was on that paper. I'm pretty sure that it was a message from my subconscious, and that if i could recall its contents my writing would improve immeasurably. That's how it seemed right after I woke up, as I lay in bed struggling to affix the dream details into my groggy brain. It was a gen-yu-wine vision!

Apparently there were too many violations of the list, so Uber Editor handed my chapters back through the plastic curtain, and my editor and I made our way from that place to another place, using my Inter-Regional Dream Transport system. Everyone has one of those; that's how you bop from one locale to another while sleeping. My memory of the events beyond this point is disconnected and fuzzy, a series of impressions: a room in my editor's house or apartment, walled with dark brick; carpets; bookshelves; a hanging lamp hand wrought of pale amber glass and dark metal. I know we discussed the manuscript, but I don't know what we said about it.

I had the peculiar sense that I wasn't disheartened by the Uber Editor's response, and I didn't feel discouraged upon awakening. In fact, I'm glad that my subconscious seems to be working on this whole writing thing, to the extent that it's running through scenarios important enough to cross over into waking memory.

I suppose that I should add an additional interpretive paragraph or two, but I'm not inclined to do so at the moment. So think up something clever and pretend that I wrote it.

LONE TWEET

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